Edition
01
Crimson Study
Archival print · limited & numbered
Disciplines — Limited editions
Bring the
work home.
A handful of Tina's paintings, released as limited, numbered editions and finished to gallery standard — the piece you fell for, made to live on your wall.
The catalogue
A small, considered shelf of editions.
Not every wall needs a commission. The originals people keep asking after are released a few at a time — printed, colour-matched and finished so the feeling of the painting survives the move to your home.
Available editions
The catalogue.
A rotating selection · availability confirmed on enquiry
Edition
02
Monarch
Archival print · limited & numbered
Edition
03
Sunflowers
Archival print · limited & numbered
Edition
04
Last Light
Archival print · limited & numbered
Edition
05
Black Light
Archival print · limited & numbered
06
Next release
A new edition, opening soon — ask to be told first
How the editions work
Released in small runs. Retired when they're gone.
No mystery, no fine print. The way an edition is born, signed and closed — set out plainly.
- 01 A run opens An original is chosen and released as a deliberately short edition. The run size is fixed the moment it opens — and never grows.
- 02 Each one is numbered Every print is numbered against its run and signed by hand, so you always know exactly how few of it exist in the world.
- 03 The run sells out When the final number finds its wall, the edition closes. It comes off the shelf and the catalogue moves on.
- 04 It stays retired A closed edition is never reprinted. What's hanging in your home stays genuinely rare — and quietly keeps its worth.
Archival quality
The materials matter as much as the image.
Every edition is proofed before it's offered — pulled, held against the original painting, and adjusted by hand until the colour, contrast and texture read true. Only then does the run open.
Archival cotton-rag paper and gallery canvas carry pigment inks chosen to hold their depth for generations. The reds stay red; the shadows keep their weight. Gallery-finished, and made to be lived with — not replaced.
Framed or unframed
However it's meant to hang.
Two clean choices, each finished to the same standard — the only question is your room.
Option one
Framed & ready to hang
Arrives finished in a frame chosen to suit the piece — lifted straight from the box onto the wall, nothing left to arrange.
Option two
Unframed, for your framer
The print alone, on archival paper or gallery canvas, packed flat or rolled — ready for the framer and the mat you already have in mind.
Made by hand ✦ numbered & signed ✦ retired when it's gone
A print shouldn't be a copy. Done right, it carries the same feeling that made you stop in front of the original.Tina Cozart
Good to know
Questions, answered.
How are the editions numbered?
The run size is fixed when an edition opens. Each print is numbered against that run — 4 of 25, say — and signed by hand. Once the last number is sold, the edition closes for good and isn't reprinted.
Paper or canvas — which should I choose?
Archival cotton-rag paper has a soft, fine-art surface that suits framing under glass. Gallery canvas reads closer to the original painting and can hang unframed. Either way the pigment is the same archival quality; it comes down to the look you want on the wall.
Can it arrive framed?
Yes. Every edition is offered framed and ready to hang or unframed for your own framer. Framing options are shared when you enquire so the finish suits your room.
What sizes are available?
Most editions come in a small range of sizes chosen to flatter each image. Tell us where it's going and we'll point you to the size that holds the wall without crowding it.
How does shipping work?
Each print is packed to protect the surface and corners and shipped to your door. Timing and delivery details are confirmed with your order, and framed pieces are sent ready to hang.
Can I commission an original instead?
Always. If you'd rather a one-of-one made for your space, that's where Tina starts. See Original Painting or start a commission and we'll take it from there.
Editions & enquiries