01 — Residential
The wall you plan the room around.
A feature wall, a stairwell, a nursery sky — one surface that sets the whole feeling of a home and turns a room into the room.
Disciplines — Hand-painted murals
Paint that
becomes
the building.
Any scaleFeature wall → building face
On sitePainted in place, by hand
Made to staySealed to last for years
Not décor — architecture
A mural doesn't hang on the wall. It becomes the wall — sized to the room, painted into the surface, and built to outlast the furniture in front of it.
Nothing here is printed, projected, or peeled from a file. Tina reads the space first — its light, its traffic, the feeling you want when someone walks in — then draws the whole plane by hand so the work belongs to that wall and no other.
The result is a room you plan around a single surface: a piece that greets people before you do, holds together from across the floor, and rewards them up close — long after the paint has cured.
On location
A full building wall, painted edge to edge — koi turning through moving water.
Mural · exterior · full wallWatch it come to life
From bare wall to finished mural.
Hand-painted on site — bare wall, sketch, colour, finished
On film
Watch her paint one, start to finish.
Where murals live
Walls happen everywhere.
From a single room in a home to a building face at a festival — the same hand, scaled to the surface in front of it.
02 — Commercial & hospitality
A space people photograph.
Restaurants, retail, lobbies — a wall that becomes the room's signature, and the backdrop every guest stands in front of.
03 — Ceilings & staircases
The surfaces that make people look up.
Curved walls, vaulted ceilings, the turn of a staircase — the planes most artists avoid, composed for the way you actually move through them.
04 — Events & festivals
The wall is the whole point.
Stage backdrops, festival gates, live-painted walls — a blank surface at sunrise, a finished landmark by the time the crowd arrives.
Anatomy of a commission
From bare wall to permanent.
Four unhurried moves, built around your space — every one of them in person.
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01
Site visit
Walk the space.
We stand in the room together — light, sightlines, surface, scale — and talk through the feeling the wall should carry, so the design starts from the architecture, not a blank page.
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02
Sketch
Drawn to scale, in place.
Tina returns with a concept drawn to the true dimensions of your wall and placed in your room. We refine it together until it's right — then you sign off before a drop of paint is mixed.
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03
Paint on site
Brush meets the surface.
The work is painted by hand, in place, over the days it needs — ladders, lifts, late light and all. Brush and airbrush, layer by layer, tuned to the texture and quirks of the actual wall.
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04
Seal & reveal
Made to outlast the room.
The finished mural is sealed to hold its colour — built to weather outdoors, to stay vivid indoors — the space is left clean, and you see it for the first time the way everyone else will.
Painted on site, at any scale
The same hand, from a child's ceiling to a festival gate.
There is no projector and no decal between the design and your wall. Tina arrives, maps the surface, and works it in person — so colour, edge and proportion are answered against the real thing, in the real light, not a proof on a screen.
Scale is just a question of reach. The hand that paints a nursery sky scales up to a building face or a stage backdrop without changing what it is: one artist, one surface, drawn to belong there permanently.
Talk through a wallSized to the room ✦ painted into the wall ✦ built to outlast the furniture
A mural should belong to its wall so completely that the room feels unfinished without it.Tina Cozart
Commissions & enquiries